Titel: 13 Original Albums - Glenn MillerFormat: Audio CDTracks: Disc 1:1. Johnson Rag - Miller, Glenn & His Orchestra 2. My Isle Of Golden Dreams - Miller, Glenn & His Orchestra 3. Anvil Chorus - Miller, Glenn & His Orchestra 4. Beautiful
Eine Zeit lang war ein kleiner Chihuahua das absolut Coolste, was man sich als Haustier halten konnte. Dann kam das Minischwein und übernahm den Thron als trendbewusstes Schmuseschwein. Und jetzt betritt das nächste, brandneue Lieblingstier die Bühne: Das exotisch flauschige und fantastisch süße Lama! Als erster Händer in Deutschland kann CoolStuff jetzt stolz Hatch A Llama präsentieren - das einzige Lama der Welt, das aus einem Ei schlüpft!Sobald du dein Hatch A Llama-Ei bei dir zu Hause hast, legst du es vorsichtig in den beiliegenden Brutapparat, und dann heißt es gespannt warten! Nach zwei bis vier Wochen ist das Ei ausgebrütet und dein einfach einzigartiges, zahmes Lamafohlen kuckt heraus! Wie bei allen beliebten Spielsachen von Hatchimals ist es eine Überraschung, welche Farbe und Eigenschaften dein Lama haben wird.Wenn dich dein Lama nicht mag, wirst du das garantiert merken - Lamas spucken nämlich, wenn ihnen etwas nicht gefällt! Im wahrsten Sinne des Wortes Drama-Lamas also. Am besten lässt sich ein aufgeregtes Lama selbstverständlich mit dem Meme-Klassiker Llama Song aus dem Jahr 2004 beruhigen - wir empfehlen dir, den Text bereits jetzt auswendig zu lernen!Hinweise Hatch A LlamaLass aus einem einzigartigen Ei ein leibhaftiges Lama schlüpfen!Lege das Ei in den beigefügten Brutapparat und warte darauf, dass es ausgebrütet wirdWenn das Ei nach 2-4 Wochen ausgebrütet ist, schlüpft dein einzigartiges LamaDas Ei ist ca. 57 cm hoch und hat einen Durchmesser von 31 cmEin ausgewachsenes Lama ist ca. 110 cm groß und wiegt 120-150 kgEin Lama kann drei Mal so weit spucken wie es groß istSei dir bitte bewusst, dass Lamas Pflanzenfresser sind und sich auf einer Weide am wohlsten fühlen - in den beigefügten Pflegehinweisen findest du Tipps, wie du eine kleine Weise im Wohnzimmer anlegen und ökologisches Lama-Futter anbauen kannstDie Verpackung beinhaltet: Hatch A Llama-EiBrutapparatAnleitungen und Pflegehinweise
(Sleazy Records) - (Sleazy Records) Mario Cobo has managed to carve out a musical career seemingly unattainable for a musician born in Barcelona. Chopping stone. Test after test. Concert after concert. With an impeccable attitude from his first live appearance, in 1994, until the last one, probably yesterday. Because Cobo has not stopped playing in all these years. Either with Nu-Niles, his usual band, with which he edited up to 6 LPs and several 7inchs. The band that took to him to turn by all Europe and the United States until its dissolution, this same year, with a splendid album of homonymous title. A background that shapes his reputation as a guitarist and composer within the international roots music scene. With songs edited in Germany, Japan, Spain, Sweden, Holland and the United States. That has made Cobo a renowned musician, an aspect in which they have much to do other projects such as The Lazy Jumpers, which between 2003 and 2008 recorded three albums with his name, and two more as a band of Little Rachel and Mitch Woods. He also was one of Kim Lenz´s Jaguars between 2010 and 2012 and played performances as a member of the groups of Sonny Burgess and Dj Fontana (drummer Elvis), Billy Lee Riley, Janis Martin, Joe Clay Glen Glenn or Dale Hawkins. But now all that is history, like the Nu-Niles. A beautiful story that resurfaced this year 2015 to edit together with Loquillo ´Code Rocker´ (DRO / Warner), produced by Mario with Josu Garcia, placed in the number 1 sales in Spain and make a thrilling tour while exclusive of 12 dates in a month throughout the state. Cobo goes ahead with the Mambo Jambo, a whirlwind of instrumental rhythm & blues formed with the saxophone master Dani Nel.lo (Rebels, Nel.lo and La Banda del Zoco), his partner in innumerable projects Ivan Kovacevic (Nu-Niles) and the magician of the drumsticks Anton Jarl. With them and three LP´s plus several singles have conquered the hearts of the public and also of the critics, who does not stop giving praise to the band. Another of his projects is the Western Swing band Los Locos del Oeste and his crazy country jazz where he deals between the guitar, voice and steel guitar with which he occupies the little free time he has left when he is not touring with Mambo Jambo or working in various productions.
(Empress) 25 tracks. original recordings Just picture the scene. The British people are celebrating VE day with a will. Throughout the country people are gathering together for street parties, pubs and bars are packed with revellers while the length and breadth of London´s Whitehall is thronged with an enormous crowd eager to slake its collective thirst, then to acclaim one of the great heroes of the hour - the Prime Minister, Winston Churchill... for he is due to speak to the mass of people who have joy in their hearts and a song in their throats. It makes for a most stirring occasion. The conflict in Europe is over, although everyone is aware that the years ahead will not be easy. Just for this one particular day they can forget their worries and enjoy one of the great days in their country´s history. Music is playing everywhere. Songs of hope, songs of sentiment; some with words looking forward to a bright future, others with a reflective backwards glance to the bitter-sweet emotions of the six long years of strife. It was a marvellous period for music. Great songs were still being written for vocalists fully capable of doing them complete justice. On both sides of the Atlantic the pre-war boom in swing and dance bands had evaporated to some extent; it was the singers who ruled in the brave new world. Vera Lynn had begun her professional career as a band vocalist, but by the early ´forties had established herself as one of the most popular solo artists in Britain. The deep sincerity of her finely tuned singing together with the memorable numbers she performed struck a chord at home and with the troops overseas. Her connection with the forces during the war has passed into the nation´s folklore. Of all the singers active between 1939 and 1945 it is Dame Vera who will forever be associated with those dark days; her records form a soundtrack to the war years. It is a tribute to Vera Lynn that her popularity has never waned, enduring to the present day more than fifty years after she recorded her big wartime hits. There´s A New World, It Could Happen To You and Jerome Kern´s beautiful Long Ago And Far Away will stir many memories. Her closest rival for the affections of the people was the much-missed Anne Shelton. When she started with Ambrose´s Orchestra as a gym-slipped schoolgirl it was hard to believe that a voice of such deep port wine resonance could come from one so young. Her sense of how to phrase and shape a song would have been considered extraordinary in an experienced artist, let alone someone only just into her teens. She was so highly regarded that, on trips to war-torn England, both Glenn Miller and Bing Crosby expressly asked her to work with them. A tremendous honour for a comparative newcomer. Just how well merited it was is demonstrated in Tonight I Kissed You and one of the only numbers to become popular in both Britain and Germany, Lili Marlene. There were other popular female vocalists besides the ´big two´. Adelaide Hall must have been one of America´s best-ever exports to the UK. Initially a wonderful jazz singer who made some classic recordings with Duke Ellington, she became an integral part of the British music scene when she moved to this country. Versatility and a fine voice coupled with a highly distinctive style were the keys to her success. Equally at home with the popular songs of the time as with mainstream jazz, her versions of the massive worldwide Julie Styne/Sammy Cahn hit It´s Been A Long Long Time and Harold Rome´s My Heart Sings are perfect vehicles for her exemplary singing. In both she is accompanied by the equally adept Norman Perry at the piano. Just like Anne Shelton the pint-sized Beryl Davis was a very young girl with a very big voice. Her teenaged assurance in I Got It Bad is a reminder of an all-round vocalist who recorded with jazz violin maestro Stephane Grappelli and with David Rose in America as well as a number of dance bands...